Creating Working Relationships in Film (LINK)
March 20th 2008 14:14
The nature of filmmaking tends to create instantly close relationships. You share the drama, the trauma, the madness and the magic of creating images and stories that move people. It isn't hard to keep the relationships up once "that's a wrap," but it does take simple effort. Projects change, companies move, people freelance around. You can quickly get forgotten if you don't keep yourself in touch.
Pamela Jaye Smith has collaborated over 20 years in the film business as a consultant, producer, writer and director of features, TV, commercials, documentaries and corporate films. Pamela's MYTHWORKS is a consultation and information service featuring "Applied Mythology" and the "Physics of Metaphysics." MYTHWORKS offers seminars, lectures and classes for filmmakers, including the UCLA Writers Extension Program. She consults with organizations and individuals re-designing themselves, their images and/or careers.
She had this to say about building relationships in the film business. "When I moved to Hollywood I got a job the first day I went looking and spent six weeks at a script-typing service, which was great to learn format and see who was doing what in stories."
Then, Pamela tracked down some contacts she made while she worked on a film for Paramount Pictures back in her home state of Texas. "I had the good fortune of getting a job with a new production company headed by someone I'd met there on location. So networking was everything there.
Pamela Jaye Smith has collaborated over 20 years in the film business as a consultant, producer, writer and director of features, TV, commercials, documentaries and corporate films. Pamela's MYTHWORKS is a consultation and information service featuring "Applied Mythology" and the "Physics of Metaphysics." MYTHWORKS offers seminars, lectures and classes for filmmakers, including the UCLA Writers Extension Program. She consults with organizations and individuals re-designing themselves, their images and/or careers.
She had this to say about building relationships in the film business. "When I moved to Hollywood I got a job the first day I went looking and spent six weeks at a script-typing service, which was great to learn format and see who was doing what in stories."
Then, Pamela tracked down some contacts she made while she worked on a film for Paramount Pictures back in her home state of Texas. "I had the good fortune of getting a job with a new production company headed by someone I'd met there on location. So networking was everything there.
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